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    Learn English > English lessons & exercises > Tracy Chevalier and a painting by Vermeer > Stats updated every 4 hours
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    Exercise "Tracy Chevalier and a painting by Vermeer", created by riverango (a free exercise to learn English):
    Results of the 953 people who have taken this test:
    Average mark: 74 / 100 Share

    Latest member with a 100/100 (perfect mark): cielo25 / SPAIN, on Tuesday 19 May - 17:23:

    They got a perfect mark

    Stats (953 candidates)
    Question 1 passed: 59.3 %
    Now, I'm joined again by the * Tracy Chevalier. Tracy, it's been suggested, I think many times, that this painting

    Question 2 passed: 83 %
    “A young woman seated at a * ” is a pendant piece,

    Question 3 passed: 65.5 %
    a companion, to “The Girl standing by the Virginal”. Do you see them in interrelated terms or do you think they're self-contained * ?

    Question 4 passed: 78.8 %
    I go back and forth about it. You know, for certain, they're hung in the same * in the National Gallery so it's quite tempting to see them together.

    Question 5 passed: 86.9 %
    They are probably painted around the same * and yet this one's has a very different feel to it.

    Question 6 passed: 69.7 %
    It's much darker; a lot of it is quite murky. If you see, the painting in the * is very murky and the floor's a bit dingy when you think about

    Question 7 passed: 45.6 %
    . . . you usually see those tiles kind of “popping out” and what you see popping out is her face, her * and the bass viola there.

    Question 8 passed: 78.6 %
    She's . . . has a beautiful face but you look at the rest of her and some of the painting is not actually that great either. Look at those arms and the * – somebody who likened them to pig trotters – and I'm sort of laughing at that.

    Question 9 passed: 83.4 %
    We don't normally allow ourselves to criticise master painters – we just think every painting they've done is perfect – and that's not the *, even with Vermeer.

    Question 10 passed: 76.5 %
    I think there's this feeling of strain about this that I don't see in "The lady standing at the virginal" in quite the same way. This is a darker *.

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